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Location: Santa Fe Springs, California
Ships to: US,
Item: 266449631121

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All returns accepted:Returns Accepted
Item must be returned within:30 Days
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Focusrite:Focusrite
Type:Audio Interface
Input/Output Ports:Thunderbolt Interface
MPN:MORE0001ULJP

Focusrite Red 16Line 64 x 64 Thunderbolt 3 and Pro Tools|HD Interface with Dante Red 16Line is a 64-in/64-out Pro Tools | HD and dual Thunderbolt 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink connectors and Thunderbolt connections, it’s now easier than ever to switch from Pro Tools | HD to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the remote control software, or on the device front panel and change DAWs in seconds.The Easiest Way To Work In Pro Tools | HD And A Second DAWSince Red 16Line provides both DigiLink connectors and Thunderbolt connections, it’s now easier than ever to switch from Pro Tools | HD to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the remote control software, or on the device front panel and change DAWs in seconds. Our Best ConversionHigh-performance audio conversion with over 118dB dynamic range A-D and 121dB dynamic range D-A (A-weighted). These converters have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in our best-quality audio interface. Revolutionise Your WorkflowRed’s ultra-low round trip latency completely transforms your workflow. If you’re used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Build your mix on the DAW and use it whether you’re overdubbing (monitoring the input you’re recording with the RedNet Control software mixer) or playing back, with all your plug-ins in place, all the time. Extensive Analogue I/ORed 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs. Two Of Our Best PreampsThe two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name we give to the sonic signature of the classic transformer ISA preamp. Networked Audio-Enabled Out Of The BoxWith dual-port Dante connectivity, you will be able to expand your studio over Ethernet for more channels at higher sample rates, anywhere in your network, at lower latency and lower cost. Software Mixer With Hardware-Focused WorkflowRedNet Control is our software mixer designed primarily for ease of use in quickly setting up both simple and complex monitoring and routing configurations, together with the ability to control your preamps remotely. The Sound Of RedAcross Your MixEvery Red interface comes with our Red 2 and Red 3 EQ and compression plug-ins. AAX/AU/VST-compatible, these plug-ins faithfully reproduce the sonic qualities of the original hardware, allowing you to take advantage of the classic Red sound – the sound of professional recording studios all over the world – across your entire mix. The Focusrite Studio Console Reborn In Your DAWThe Focusrite Studio Console defined countless hits of the 80s and 90s, thanks in large part to its ISA 110 Equaliser and ISA 130 Dynamics Modules. Brainworx’s bx_console Focusrite plug-in brings you stunningly accurate emulations of both in a single plug-in, perfectly capturing the famously warm, open sound of two of the most revered pieces of studio hardware ever made. Key FeaturesConnect to Pro Tools | HD, Thunderbolt computers and Dante simultaneously without option cardsHigh-performance audio conversion with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted)Ultra-low round trip latency to track through plug-ins and record virtual instruments in real time16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputsTwo digitally-controlled Red Evolution mic preamps with up to 63dB of ultra-clean gain, stereo linking, individual phantom power, high-pass filter and phase reverseAir mode on the preamps, giving recordings the clarity of a transformer-based ISATwo Thunderbolt 3 ports as standard to connect additional Thunderbolt productsDual-port Dante card for more channels at higher sample ratesThree LCD displays for highly accurate level meteringFocusrite Control software mixer for setting up monitoring and routing configurations, with remote control of preampsTwo discrete high-fidelity headphone outputsConnect multiple digital sources using word clock I/O and loop-sync I/OTwo instrument inputs on the front panelAAX/AU/VST-compatible Red 2 and Red 3 EQ and compression plug-insTechnical SpecificationsSystem RequirementsInternet connection for downloading and installing software and driverSimultaneous Inputs & OutputsUp to 64 x 64Gain Range0-8dB to 63dB in 1dB stepsTypeElectronically Balanced, Zin = 20k OhmMax. Input Level>+19dBu, min gainFrequency Response20Hz – 35kHz +/-0.2dBTHD + N-102dB (0.0008%) @ -1dBFSEIN<-129dBu ‘A’-Weighted (typical)Signal-To-Noise Ratio119dB ‘A’-Weighted (typical)Common-Mode Rejection Ratio50/60Hz CMRR: -70dBPhantom Power+48V, independently switchable per channel.HPFHigh-Pass Filter (HPF): -3dB @ 80 +/- 3Hz, 12dB/Octave, independently switchable per channelAir Mode2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz). Input impedance drop to 2.2kO0 DBFS Reference Level+18 or +24dBu (switchable)Line Inputs 1-16 0 DBFS Reference Level+18 or +24dBu (switchable)Line Inputs 1-16 TypeElectronically Balanced, Zin = 20kOLine Inputs 1-16 Frequency Response20Hz – 35kHz +/-0.2dBLine Inputs 1-16 THD + N-102dB (0.0008%) @ -1dBFSLine Inputs Signal-To-Noise Ratio119dB ‘A’-Weighted (typical)Line Inputs 1-16 Common-Mode Rejection Ratio50/60Hz CMRR: -70dBInstrument Inputs Gain Range0-8dB to 63dB in 1dB stepsInstrument Inputs TypeZin = 2.3MOInstrument Inputs Max. Input Level>+15dBu, min gainInstrument Inputs Frequency Response20Hz – 35kHz +/-0.2dB, min gainInstrument Inputs THD + N-100dB (0.001%) @ -1dBFS (@ 11dB Gain)Instrument Inputs Signal-To-Noise Ratio117dB ‘A’-Weighted (typical), min gainInstrument Inputs HPF-3dB @ 80 +/- 3Hz, 12dB/Octave, independently switchable per channelInstrument Inputs Air Mode2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)Line Outputs 1-16 0 DBFS Reference Levels+18 or +24dBu (switchable)Line Outputs 1-16 Frequency Response20Hz – 35kHz +/-0.2dBLine Outputs 1-16 THD + N<-104dB (0.0006%) unweighted, 20Hz – 20kHz; -1dBFS inputLine Outputs 1-16 Dynamic Range121dB ‘A’-weighted (typical), 20Hz – 20kHzLine Outputs 1-16 Output ImpedanceNominal output impedance = 136O balanced (68O each phase)Monitor Outputs 0 DBFS Reference Levels+18dBuMonitor Outputs Frequency Response20Hz – 35kHz +/-0.2dBMonitor Outputs THD+N-80dB (0.01%) unweighted, 20Hz – 20kHz; -1dBFS inputMonitor Outputs Dynamic Range120dB (A-Weighted)Monitor Outputs Output ImpedanceNominal output impedance = 136O balanced (68O each phase)Headphone Outputs 0 DBFS Reference Levels+16dBm +/- 0.5dBHeadphone Outputs Frequency Response20Hz – 20kHz +/-0.2dBHeadphone Outputs THD + N<-75dB (0.018%) unweighted, 20Hz – 20kHzHeadphone Outputs Dynamic Range114dB ‘A’-weighted (typical), 20Hz – 20kHzHeadphone Outputs Output Impedance10OHeadphone Outputs Headphone Impedance32O – 600OMic Input To Input< -80dB; 20Hz – 20kHz (driven channel at -20dBFS)Mic Input To Output< -130dB; 20Hz – 20kHz (driven channel at -20dBFS)Output To Mic Input< -165dB; 20Hz – 20kHz (driven channel at -20dBFS)Line Input To Line Input< -100dB; 20Hz – 20kHz (driven channel at -20dBFS)Line Input To Output< -150dB; 20Hz – 20kHz (driven channel at -20dBFS)Output To Line Input< -150dB; 20Hz – 20kHz (driven channel at -20dBFS)Output To Output< -95dB; 20Hz – 20kHz (driven channel at -20dBFS)Headphone To Headphone< -95dB; 20Hz – 20kHz (driven channel at -20dBFS)Supported Sample Rates44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (-4% / -0.1% / +0.1% / +4.167%) at 24 bitClock SourcesInternal, ADAT 1, ADAT 2, S/PDIF, Word Clock, Loop Sync or from Dante Network MasterInstrument Inputs Channel Count2 Channels InInstrument Inputs Instrument Inputs2 x 1/4″ TS stereo jackHeadphone Outputs Channel Count2 Stereo Channels OutHeadphone Outputs Headphone Outputs2 x 1/4″ TRS stereo jackThunderbolt Channel CountUp to 64 In and 64 OutThunderbolt Ports2 x Thunderbolt 3 Ports (Primary Port 1 and Primary Port 2)Pro Tools Channel CountUp to 64 In and 64 Out (32 In and 32 Out per connection)Primary Port2 x Mini DigiLinkDante Channel CountUp to 32 In and 32 OutDante Input And Output2 x ethernet standard RJ45 connectors (Compatible with Cat 5e and above).Mic Inputs Channel Count2 InMic Input2 x Female XLRLine Level Channel Count16 In and 16 OutLine Level Input2 x DB-25 connectors (AES59)Line Level Output2 x DB-25 connectors (AES59)ADAT Channel CountUp to 16 In and 16 OutADAT Input2 x TOSLINK connectorADAT Output2 x TOSLINK connectorADAT Channel Assignments @ 44.1 KHz, 48 KHzPort 1 = Channels 1 – 8 , Port 2 = Channels 9 – 16ADAT Channel Assignments @ 88.2 KHz, 96 KHzSMUXI: Port 1 = Channels 1 – 4, Port 2 = Channels 5 – 8ADAT Channel Assignments @ 176.4 KHz, 192 KHzSMUXII: Port 1 = Channels 1 – 2 , Port 2 = Channels 3 – 4S/PDIF Channel Count2 In and 2 Out (Optical up to 96kHz)S/PDIF Input1 x RCA phono socket (1 x TOSLINK up to 96kHz)S/PDIF Output1 x RCA phono socket (1 x TOSLINK up to 96kHz)Monitor Outputs Channel Count2 OutMonitor Outputs2 x 1/4″ TRS stereo jackLoop Sync Input1 x BNC 75O portLoop Sync Output1 x BNC 75O portWorld Clock Input1 x BNC 75O portWorld Clock Output1 x BNC 75O portPSU1 x IEC InputOLED Screens3 x Screens (menus and metering)Height44mm/ 1.73″Width483mm/ 19.02″Depth (Chassis Only)340mm/ 13.39″Weight5.04kgPower PSU1 x Internal, 100-240V, 50/60Hz, consumption 120W.Operating TemperatureOperates at up to an ambient temperature of 40 degrees CelciusFanDual fan

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