Marko SPALATIN 'MODULE XIX' s/n Serigraph-Op-Art Geometric-1970's-VTG-NEW!

Marko SPALATIN 'MODULE XIX' s/n Serigraph-Op-Art Geometric-1970's-VTG-NEW!
Marko SPALATIN 'MODULE XIX' s/n Serigraph-Op-Art Geometric-1970's-VTG-NEW!
Marko SPALATIN 'MODULE XIX' s/n Serigraph-Op-Art Geometric-1970's-VTG-NEW!
Marko SPALATIN 'MODULE XIX' s/n Serigraph-Op-Art Geometric-1970's-VTG-NEW!
Marko SPALATIN 'MODULE XIX' s/n Serigraph-Op-Art Geometric-1970's-VTG-NEW!
Marko SPALATIN 'MODULE XIX' s/n Serigraph-Op-Art Geometric-1970's-VTG-NEW!
Marko SPALATIN 'MODULE XIX' s/n Serigraph-Op-Art Geometric-1970's-VTG-NEW!


$497.0 Buy It Now or Best Offer
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Location: Washington, District Of Columbia
Ships to: US,
Item: 334947488124

Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money back or replacement (buyer’s choice)
Artist:Marko Spalatin
Unit of Sale:Single Piece
Signed By:Artist
Size:30.5 x 25.5
Custom Bundle:No
Item Length:NA
Region of Origin:New York, USA
Framing:Unframed
Personalize:No
Year of Production:1970’s
Item Height:30.5
Style:Abstract
Features:Numbered
Handmade:Yes
Item Width:25.5
Culture:NA
Time Period Produced:1970-1979
Image Orientation:Portrait
Signed:Yes
Period:Contemporary (1970 – 2020)
Material:Paper
Original/Licensed Reprint:Original
Subject:Op-Art
Type:Fine Art Serigraph
Theme:Geometric
Production Technique:Serigraph & Silkscreen
Country/Region of Manufacture:United States

Marko SPALATIN ‘MODULE XIX’ s/n Serigraph Print- Op-Art Geometric-1970’s-VTG-NEW! Unmatted, never framed or displayed. Beautiful original Serigraph Print from the retired Mitch Moore Gallery Inc, NY. (1960’s-1980’s). MARKO SPALATIN (see more information about the artist & piece below). Beautifully produced serigraph from Spalatin’s earliest years with saturated color of bold geometric design. Spalatin’s work is full of depth, vitality, dramatic color combinations, and inventive arrangements of geometric shapes. The movement of light through the world and across variegated surfaces and the relationship between them, is one of the focal points of Spalatin’s work. His work is displayed in major museums around the world. A Great print for any decor – give your space a unique story to tell… We have been selling vintage and antique items for 18 years on eBay with 100% positive feedback on more than 650 transactions. We intend to continue our track record of offering fine merchandise with outstanding customer service. You can purchase with complete confidence. We stand 100% behind our descriptions and offerings. See our great feedback! We aim to delight! Artist: Marko SpalatinMedium: serigraphTitle: “MODULE XIX”Year: 1970sSize: image 25-1/2 x 20 inches (including signature and narrow white margin), paper 30-1/2 x 25-1/2 inches. Signed: original signature in pencil lower right; title lower left. Numbered: 18/50Item: From the inventory of a retired Manhattan Art Gallery and Art Publisher – Mitch Moore Gallery Inc/Art Spectrum. LIMITED EDITION HAND PULLED & DRAWN ORIGINAL SERIGRAPH, NUMBERED & HAND SIGNED BY ARTIST.Inventory: Original gallery inventory item.Condition: Good NEW VINTAGE condition. Image area good. Never matted, framed, or displayed. Beautiful original fine art print. (See note below on collecting and caring for vintage art)Sold as Pictured: Please examine the photos carefully for imperfections as the prints are VINTAGE and may show slight signs of age/wear appropriate to age of the item, etc. However, image area is in very good frameable vintage condition. (See return policy below) About the artist Marko Spalatin: Born in 1945 in Zagreb, Croatia, Marko Spalatin immigrated to the United States in 1963. He studied at the University of Wisconsin at Madison, and earned a B.S. in Art in 1968 and a M.F.A. in 1971. He is well known for his colorful geometric designs in the form of limited edition prints and also original paintings. The movement of light through the world and across variegated surfaces and the relationship between them, is one of the focal points of Spalatin’s work. Although the paintings are inspired by nature, the specific source is finally not what is important. Spalatin’s painting may inspire the viewer to recall the shifting brilliance of sunlight on summer’s leaves, the swaying movements of a school of brightly colored tropical fish, the glittering reflections of moonlight on the ocean, or some other dazzling occurrence in nature. However, the viewer’s task is not to figure out where a painting comes from, the to experience what it is. His work is displayed in major museums around the world. Read more about the artist and see a sampling of his other works on his website. Search on Marko Spalatin. ARTIST’S STATEMENT: “My work represents a continuous involvement with abstract geometric forms defined by careful manipulation of color and light. The relationship between form and color within the pictorial field demands a visually symbiotic presence. The challenge revolves around the selection of a form as a vehicle for color, as well as choosing appropriate color and light for that form. This interplay creates a primary spatial illusion, along with secondary effects. I find that precisely defined areas of color, when placed against each other, compete for dominance. This activity, when further accentuated by tonal structure, produces multiple levels of perception. A given area of uniformly applied pigment loses its flat character through simultaneous contract with the surrounding colors. In many cases, the positive and negative spaces within the field become interchangeable. In more complex paintings, when the substructure is a series of repetitive modules, the color-light interplay reveals its polyphonic character. In general, my compositions remain formal and symmetrical in order to be set in motion by unexpected mutations of color and light. In some cases, the careful placement of small areas of saturated color against a backdrop of transitional grays creates an illusion of suspended particles. There is no doubt that in these images in particular, my sense of color and light is subconsciously influenced and sustained by many years of scuba diving in the waters of the Adriatic Sea and the Caribbean. I am intrigued by the relativity of color and by the mystery of light, and I am constantly challenged to explore their potentials. Every painting becomes a self-imposed visual problem, subjectively resolved in search of an objective truth.”COMMISSIONS AND PERMANENT COLLECTIONSMuseum of Modern Art, New York, NYMusee d’Art Modern, ParisTate Gallery, LondonVictoria and Albert Museum, LondonPhiladelphia Museum of Art, Philadelphia, PANew York Public Library, New York CityLibrary of Congress, Washington, D.C.Brooklyn Museum, Brooklyn, N.Y.Akron Art Institute, Akron, OhioOklahoma Art Center, Oklahoma City, OklahomaU.S. Steel Collection, Pittsburgh, PAPittsburgh National Bank, Pittsburgh, PAWisconsin Art FoundationInternational Graphic Art Society, New YorkAmerican National Insurance Company, Galveston, TexasChase Manhattan BankLessing J. Rosenwald Collection, Philadelphia, PABibliotheque National, Paris, FranceMuseum of Contemporary Art-Chicago, IllinoisMetropolitan Museum-Manila, PhilippinesPhiladelphia Museum of Art-Philadelphia, PennsylvaniaThe Butler Institute of American Art-Youngstown, OhioMuseum of Modern Art-Belgrade, YugoslaviaMilwaukee Art Museum-Milwaukee, WisconsinLessing J. Rosenwald Collection-Philadelphia, PennsylvaniaCleveland Museum of Art-Cleveland, OhioElvehjem Museum of Art-Madison, WisconsinMuseum of Modern Art-Novi Sad, YugoslaviaMadison Art Center-Madison, WisconsinMasur Museum of Art-Monroe, LouisianaNational Arts Club-New York, New YorkAlbrecht Museum-St. Joseph, MissouriBillings Art Center-Billings, MontanaNational & University Library-Zagreb, CroatiaRochester Museum of Art-Rochester, New YorkMuseum of Modern Art-Ljubljana, Slovenia ONE MAN SHOWS1971-Galerie Lahumiere, Paris1971-University of Iowa, Iowa City, Iowa1971-Madison Art Center, Madison, Wisconsin1970-Fairwather Hardin Gallery, Chicago, Illinois1070-Akron Art Institute, Akron, Ohio GROUP SHOWS1970-Venice Biennale, Venice, Italy1970-Workd’s Fair, Osaka Japan1970-Phoenix Gallery, Berkeley, California1970-New York State Council on the Arts travelling exhibition, in collaboration with the Brooklyn Museum1970-Munson-Williams-Proctor Institute, Utica, New York1969-Lincoln Memorial Art Center, Milwaukee, Wisconsin1969-Madison Art Center, Madison, Wisconsin1969-The Brooklyn Museum, Brooklyn, New York1968-American Graphic Workshops Exhibition, Cincinnati, Ohio AWARDS AND PRIZES1971-Library of Congress, Washington, D.C. NOTE: Bibliography information may not be current as most has been copied from the original files of – Manhattan Art Gallery and Art Publisher – Mitch Moore Gallery Inc/Art Spectrum – (1960’s-1980’s). NOTE : Christies has a Collecting Guide on Prints: Google: 11 key things to know about prints & multiples. There is also a great article on ehow for foxing: Google- How to Restore Foxing on Paper Prints. I have also had good luck on my own collection using: ABSORENE BOOK CLEANER AND DIRT ERASER. The Dirt Eraser is the favorite of libraries, booksellers and antiquarians worldwide for cleaning books, manuscripts, maps, paper and other documents. A 30 Day No Hassle 100% Money Back Guarantee [Note: Must be received in the same condition it was shipped in]. We are experienced shippers, pack very carefully and are happy to combine shipping on multiple purchases.

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